4x5 original
Margaret Bourke-White (1904-1971) Self-portrait with camera, (Autoportrait à la camera) Tirage argentique, 34.9 x 22.7 cm Los Angeles County Museum of Art (LACMA), Los Angeles© Digital Image Museum Associates/LACMA/Art Resource NY/Scala, Florence
01 Orsay
Tina Modotti, Woman with Flag © Tina Modotti
03. Freund_bas de soie
Gisèle Freund (1908-2000) Bas de soie de Schiaparelli, Paris,1940 Epreuve chromogène, 36 x 23 cm Musée national d’art moderne, Centre George Pompidou, Paris© Droits réservés© RMN gestion droit d'auteur/Fonds MCC/IMEC© Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Gisèle Freund, reproduction de Guy Carrard
09. Cameron_Mrs Herbert Duckwort, 12 avril 1867
Julia Margaret Cameron(1815-1879)Mrs Herbert Duckworth, 12 avril 1867 Epreuve sur papier albumin à partir d’un négatif sur verre au collodionParis, BnF, Estampes et photographies© Paris, Bibliothèque nationale de France
01. Kasebier_Portrait miss N
Gertrude Käsebier (1852-1934)Portrait (Miss N), 1903 Epreuve photomécanique sur papier Japon à partir d’un négatif original, 19,5 x 14,7 cmParis, musée d’Orsay© Musée d'Orsay, Dist. RMN-Grand Palais / Alexis Brandt

Musées d’Orsay et de l’Orangerie

Musée d’Orsay
1, rue de la Légion d’Honneur – 75007 – Paris
01 40 49 48 14
www.musee-orsay.fr

Musée de l’Orangerie
Place de la Concorde, Jardin des Tuileries – 75001 Paris
01 44 50 43 00
www.musee-orangerie.fr

Qui a peur des femmes photographes ? 1839-1945
14 October 2015 – 24 January 2016

FIRST PART : 1839-1919 – MUSÉE DE L’ORANGERIE / SECOND PART : 1918-1945 – MUSÉE D’ORSAY

The primary aim of the show « Qui a peur des femmes photographes ? » [Who’s Afraid of Women Photographers?] presented jointly in the Musée de l’Orangerie and in the Musée d’Orsay from 14 October 2015 to 24 January 2016, is to break free from the still widely shared idea according to which photography, a mechanical/chemical tool to reproduce reality would be a mere technical object and as such a business for males only. Indeed, women, as amateurs from mid-upper class or as more and more often at the turning of 19th and 20th century professionals, have played a more important part in the history of photrography than they have in that of the traditional Fine Arts. Builds on new researches and numerous histories of photography that, over forty years have reassessed contribution, this exhibition is the first in France to explore the phenomenon through its manifestations in Europe as far as United States over a century.