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Bettina Rheims
7 – 22 november

Since her first photographs in the late 70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional iconography and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.
This limited Collector’s Edition is the ultimate Rheims retrospective, showcasing more than 500 photographs from 35 years of daring, often defiant, photography. Personally selected and assembled by Rheims, the collection juxtaposes renowned series such as Chambre Close with many previously unpublished archival pictures. At the end of the volume a “personal diary” features behind-the-scenes work and personal souvenirs.
Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the vigor of each image as for the thrilling variety of Rheims’ subjects and aesthetics: Fresh faces next to furrowed brows; elephant hides beside legs in lace stockings; flawless fashion shots alongside chipped nail varnish and scarred skin. With equal attention to anonymous subjects cast in the street as to such global beauty stars as Kate Moss, Madonna, Claudia Schiffer, and Naomi Campbell , the book showcases Rheims’ particular interest in female fragility and strength, and of the magic encounter between model and the artist which disrupts codes of so-called eroticism to build up a new image system for womanhood.
Also available as two Art Editions.