Vollmer1
Benoît Vollmer, Sans titre # 2 © Benoît Vollmer, courtesy Galerie Éric Mouchet
Vollmer 02
Benoît Vollmer, Sans titre # 2 ©Benoit Vollmer courtesy Galerie Ercic Mouchet
Bernard Reymond 01
Mathieu Bernard-Reymond, Clo_ds III, de la série Interruption, 2014 ©Mathieu Bernard-Reymond courtesy galerie Eric Mouchet
Bernard Reymond 02
Mathieu Bernard-Reymond, Clo_ds II, de la série Interruption, 2014 ©Mathieu Bernard-Reymond courtesy galerie Eric Mouchet
Jeannet 01
Benoit Jeannet, 061_M.L.M.GR.GN.WH.BK.VB / MET.CRK.CH, de la série A Geological Index of The Landscape © Benoit Jeannet courtesy Galerie Eric Mouchet
Jeannet 02
Benoit Jeannet, 044_M.E.F.WH.S / CL, de la série A Geological Index of The Landscape © Benoit Jeannet courtesy Galerie Eric Mouchet

Galerie Eric Mouchet

45, rue Jacob – 75006 – Paris
01 42 96 26 11

Mathieu Bernard-Reymond, Benoît Jeannet, Benoît Vollmer
Eléments
24 October – 28 November

There are three photographers shown in the “Elements” exhibition. All three, in this show, give they’re own answer about the new issues on landscape photography. Mathieu Bernard-Reymond stops the process of software creating a 3D landscape. Those polygons transitioning become the independents subjects of his pictures. Even if the trick is reveled, the effect is real and strangely persists. Benoit Vollmer built pictures of Alpines landscapes from hundreds of photographs. Though he cares about likelihood, he imperils himself overturning the horizon. At last Benoit Jeannet creates a fallacious index but likely believable of elementary forms from landscapes. Some of those forms are entirely built in studio, underlining the uselessness of the subject, at least it’s crisis.
However, you can really see landscapes here, in no other words you can describe it, as if the landscape form holds. Photography here aren’t invested with sociologic, urbanistic or geographic matters, it is in fact a fundamental thinking on our relation with what’s come from outside.